Collection: Alexis Toublanc

At the heart of Alexis Toublanc's artistic philosophy lies an absolute devotion to the freedom of being.

His interaction with natural elements, the ocean, surfing, and his love for adrenaline inspire his creative process.
The free flow of energy, mentalization, meticulousness and the deconstruction of conditioning operating on our beings, essential points of his work, reveal a fascination for the balance of opposites.

Furthermore, life experience and the practice of meditation reveal in him a visceral conception that less is more.

These foundations will pave the way for him to develop a mineral visual understanding where restraint meets eloquence.

Alexis Toublanc's artistic vocation goes beyond simple visual expression; he invites the observer into a contemplative space, where feeling the resonance of the work urges him to contemplate his own truth in his heart.

Variations in sea level, a force of gravitational origin or evident erosion, corroborate Alexis Toublanc's work, which seeks to make the invisible visible. An evocation of a journey through calm and effervescence, depth and euphoria; this time-honored formula balances opposites.

The artist draws inspiration from sources ranging from the tangled fragmentation of human emotions to the celestial forces that govern us.

The magnetic ardor of the sun, the azure swirls of the ocean, the inescapable power of the wind and the immensity of the cosmos emanate from Alexis Toublanc's minimalist allegory.

Through a confident interplay of shapes and colors, A. Toublanc reveals himself to be the channel of an ineffable message, promoting a perception of Olympian balance and tranquility.
White is the very substance of light; white contains almost all the radiations of the visible spectrum. It carries an immanent, intangible, immutable truth. White is the absolute.
Blue, because it slows down the organic rhythm, encourages composure, it represents depth and immensity. It is peace and splendor combined.

Jiddu Krishnamurti, Gerhard Richter, Pat Steir, Pierre Soulages, François Kupka, Le Corbusier, and the Bauhaus school all reinforced and pushed him into a permanent search for a new form of language.

Each piece is a mineral exodus brought about by its constant search for balance in the encounter with the sublime. An invitation to a resolutely abstract sensory plunge that flows and converges in places where our perceptions mingle to head towards the depths of our beings and inevitably discover something greater there.